![]() Additionally, the plug-in can be switched to process stereo signals in Mid-Sides mode, offering the exact same controls normally at your disposal for the left and right channels. There’s also a mono-stereo option, which applies slightly different, unseen settings to the left and right channels to provide a wider stereo field for mono tracks. The left and right channels of stereo signals can be processed separately, or linked to mirror the same settings on both sides. The results are way more rich and impressive than those produced by the EQ plug-ins built into typical DAWs, the flip side being that this is not really a surgical EQ. Psp audioware psp#Boosting is audibly pleasingly not only because of the well-researched frequency selections but because PSP have modelled the subtle coloration added by the analogue circuitry in the original hardware, which imparts a lovely sense of warmth and thickness to whatever you throw at it. It’s said to be good practice when mixing to cut the frequencies you don’t want rather than boost the ones you do, but with E27, I found I could achieve fantastic results by using boosts a little more liberally than I would normally. One particularly useful feature that has been carried over from the hardware unit upon which the E27 has been based is that slow dial movements produce small, more accurate boost/cut adjustments, whereas fast movements produce much larger, quicker changes. A selectable high-pass filter is also present, to eliminate unwanted low frequencies in the 20 to 800 Hz range. There’s an optional high-shelf filter available on all nine selectable frequencies in the treble section. While it might seem silly to process frequencies that you can’t hear, the effect is sufficiently broadband that audible frequencies are also affected. The middle section spans 680Hz to 5.6kHz, and in the treble section, things even go out of the human hearing range - you might want to keep your dog out of the studio - ranging from 6.8kHz right up to 28kHz. The nine selectable frequencies in the bass section range from 33 to 550 Hz, with an optional low-shelf filter available between 63 and 300 Hz. ![]() ![]() But do keep an eye on your CPU load if you intend to use this plug-in on multiple tracks at once. The filter frequencies have been specifically chosen to produce the most usable and musical results, and while restrictive, the non-linear characteristics and the progressive Q add something special on individual sounds, group channels or the entire mix. These can be doubled up by hitting the x2 button, providing you with a total of six bands per channel. The 27 ClubĮ27 offers three filter bands, each of which offers 16dB of boost or attenuation at nine selectable frequencies. Now PSP have teamed up with US-based hardware manufacturer Avedis Audio, and the result of this collaboration is the impressive PSP E27 equaliser plug-in. ![]() ![]() Poland-based plug-in specialists PSP Audioware have a reputation for building versatile and much-loved effects, including the time-honoured Vintage Warmer 2 multiband compressor/limiter and a manufacturer-approved replica of the legendary Lexicon PCM42 stereo delay. Does this Polish plug-in capture the character of an American classic? ![]()
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